Now free from the master section of the original console, this legendary VCA unit comes in a 1U rack unit, 500 series, and SSL X-Rack module. The SSL 4000 plugins are great for precisely adjusting your tracks when you need them to cut through dense mixes.
If your mix is bass-heavy and you can hear high-frequency ducking when kick and bass hit, you may need to raise the SC Filter to reduce the impact of the low frequencies on gain reduction. The original hardware version didn’t have this, but radio mixes in the 80s were always very bright and bass-light! More extreme settings are doable on drum buses, to up the power and energy - try lowering the threshold and keeping the release fast to get things pumping.We have created for you a rating of the Best Waves VST Plugins as the most downloaded and according to the excellent reviews of musicians VST list navigation: SSL E-Channel SSL G-Master Buss Compressor SSL G-Channel SSL G-Equalizer 1. SSL E-Channel by: Waves The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its.
Ssl 4000 Compressor Plus The Included
Frequently Asked Questions Are there any plugins for the ssl g bus compressor?With the new SSL G Bus Compressor, plus the included DSP-lite SSL G Bus Compressor Legacy plug-in, you can craft your projects with Platinum‑selling sound. Ratio is switchable between 2, 4 or 10:1, and sits next to a large In/Out ‘bypass’ button.Find many great new & used options and get the best deals for Waves SSL 4000 E/G Collection Buss Compressor Channel Strip EQ - TDM VST AAX AU at the best online prices at eBay Free shipping for many productsAs you’d expect, operating the SSL 4000 G is intuitive from the get go, and there are a host of presets from nine producers and engineers to use as starting points. Rightfully, what you first notice isn’t the compression working, but what it’s doing to your mix: the big ‘In’ button could just as easily be called the ‘Sounds Like a Record’ button, gluing the track together into a cohesive, united whole without sacrificing clarity.It’s just what the original hardware did, and if anything, this new virtual version is an improvement - we found it helpful to roll off low frequencies from the input sidechain signal to eliminate high-frequency modulation or pumping and the new Mix control is especially welcome, particularly on drum buses, allowing you to dial in more heavy-handed settings than you usually would, before mixing in the uncompressed signal to temper the effect and maintain ‘openness’.We’re still big fans of the also-included Legacy model (and for a low-DSP version it still stands up to its purpose), but the new remodelled version is a revelation in terms of accuracy and precision. It’s not a dynamics device for every mix situation, but the indescribable glue and unification it imparts is undeniably impressive and impactive. Lowering the threshold kicks the compression in, while the classic bus setting of slow attack, fast release, and a ratio of 2:1 or 4:1, gives a good transparent starting point. Tweaking the threshold to show between 2 and 4dB of gain reduction, and raising the Gain Make-up to restore program volume refines the outcome.
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